“I couldn’t face it,” he went on; “the way people would be looking at me in trains and omnibuses; the things people would say of me, the things I should imagine they were saying; what my valet would be thinking of me. Oh, I’m ashamed enough of myself. It’s the artistic temperament, I suppose. We must always be admired, praised. We’re not the stuff that martyrs are made of. We must for ever be kow-towing to the cackling geese around us. We’re so terrified lest they should hiss us.” The contract was concluded in Mr. Krebs’ private office: a very stout gentleman with a very thin voice, whose dream had always been to one day be of service to the renowned Mr. Robert Phillips. He was clearly under the impression that he had now accomplished it. Even as Mrs. Phillips took up the pen to sign, the wild idea occurred to Joan of snatching the paper away from her, hustling her into a cab, and in some quiet street or square making the woman see for herself that she was a useless fool; that the glowing dreams and fancies she had cherished in her silly head for fifteen years must all be given up; that she must stand aside, knowing herself of no account.!

“It’s a noble ideal,” he said. “La Patrie! The great Mother. Right or wrong, who shall dare to harm her? Yes, if it was she who rose up in her majesty and called to us.” He laughed. “What does it mean in reality: Germania, Italia, La France, Britannia? Half a score of pompous old muddlers with their fat wives egging them on: sons of the fools before them; talkers who have wormed themselves into power by making frothy speeches and fine promises. My Country!” he laughed again. “Look at them. Can’t you see their swelling paunches and their flabby faces? Half a score of ambitious politicians, gouty old financiers, bald-headed old toffs, with their waxed moustaches and false teeth. That’s what we mean when we talk about ‘My Country’: a pack of selfish, soulless, muddle-headed old men. And whether they’re right or whether they’re wrong, our duty is to fight at their bidding—to bleed for them, to die for them, that they may grow more sleek and prosperous.” He sank back on his pillow with another laugh. She had gone down to Liverpool, intending to persuade her father to leave the control of the works to Arthur, and to come and live with her in London; but had left without broaching the subject. There were nights when she would trapse the streets till she would almost fall exhausted, rather than face the solitude awaiting her in her own rooms. But so also there were moods when, like some stricken animal, her instinct was to shun all living things. At such times his presence, for all his loving patience, would have been as a knife in her wound. Besides, he would always be there, when escape from herself for a while became an absolute necessity. More and more she had come to regard him as her comforter. Not from anything he ever said or did. Rather, it seemed to her, because that with him she felt no need of words.

She must have knelt and stood mechanically, for the service was ended. The pulpit was occupied by an elderly uninteresting-looking man with a troublesome cough. But one sentence he had let fall had gripped her attention. For a moment she could not remember it, and then it came to her: “All Roads lead to Calvary.” It struck her as rather good. Perhaps he was going to be worth listening to. “To all of us, sooner or later,” he was saying, “comes a choosing of two ways: either the road leading to success, the gratification of desires, the honour and approval of our fellow-men—or the path to Calvary.” He asked her questions about herself. But she could see that he was tired; so she told him it was too important a matter to start upon so late. She would talk about herself to-morrow. It would be Sunday. “They know that,” chimed in the man lying next to him; “or they would not drug us. Why, when we stormed La Haye I knew nothing until an ugly-looking German spat a pint of blood into my face and woke me up.”